Dumbbell," "Good Times," "Der rebe hot geheysn freylekh
zayn," "Yoshke Khvat," "Bar Mitzvah," "The Imported
Wife," and "Happy Days." He also went on the road in
"Galician Shlemiel" in Boston and Providence, as well as
with "Happy Days."
He continued playing at the Arch
Street Theatre during the 1933-34 season, in such plays
as: "The Polish Rabbi," "Motl Pantofl," "Three Hoboes,"
"The Eternal Bride," "A Village Wedding," "The Jewish
Heart," "The Jolly Cobblers," and "The Jewish Dream."
During the same season he played in
"The Organ Grinder," in such locations as in the Bronx
and Brooklyn, and on the road in Baltimore, Providence,
Boston and Chicago.
For the 1934-35 season, Marty (and
Goldie) was at both the Second Avenue and Hopkinson
Theatres, in Manhattan and Brooklyn, respectively. He
acted in such plays as: "The Candy Kid," "The Little
Bandit" (cf. troupe photograph on this page), "Some
Boy," "The First Night," "What Girls Do," (all with
Julius Nathanson's troupe), "Itche Mayer of Warsaw,"
"The Golden Ring," and "The Cantor's Wife."
During the 1935-36 season, Marty
played mostly at the Hopkinson Theatre in Brooklyn, New
York. He was in such plays as: "The Little Rabbi," "The
Girl of My Heart," "The Jolly Tailors," "The Life of
Fanny Dubinsky," "The Price of Sin," "God, Man and
Devil," and "Shykele Shmadnik," which also played on the
road.
In the 1936-37 season, he was at
Manhattan's Yiddish Folks Theatre, in such shows as:
"Shlumiel," "Shulamis," "The Woman in Chains," "The
Rabbi's Melody," "The Galician Rabbi," and for at least
March and April of 1937 was on the road, i.e. in
theatres in the Bronx, Brooklyn, Maryland, Philadelphia,
Baltimore, and Newark, New Jersey, in "Pini from Pinchev."
In the 1937-38 season, Marty played
in a few theatres in and around New York City. He played
in the Second Avenue Theatre in "Yosel and His Wives,"
"The Jolly Village," "Warsaw at Night," and "The Little
Tailor"; "The Wanderer" at the Bronx's McKinley Square
Theatre and "Mirele Efros"; "Oh. America!" and "The
Street Singer" at Brooklyn's "Hopkinson Theatre."
From at least January 1940 until
February of 1942, Marty Baratz acted in the Clinton
Theatre in Lower Manhattan, New York. The plays he
participated in were: "Motl, the Operator," "The Jolly
Litvack," "Let's Be Happy," "Di lustige mishpokhe," "The
Girl From Warsaw," "The Jewish Father," "A Guest in
Town," "Mothers of the World," "The Chelm Cantor," "The
Bride of Suffolk Street," and "The Litvack in His
Harem." From 1942-1947 Marty was most often playing in
New York City's National Theatre, e.g. in "Di kale treft
dem khosn," "Spring Song," "Song of Songs," "The
Greatest Night of All Nights," "Chaim Mendl Goes Away,"
and "The Galician Cowboy."
Marty also arranged dances in
the Yiddish theatre.
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