Friday Evening, Saturday Mat. and Evening,
November 11-12, 1927.
Molly Picon
in RUMSHINSKY and KALICH'S new
song-play
"RAIZELE"
In Two Parts, by Chune Gottesfeld
Music by Joseph Rumshinsky
Lyrics by Molly Picon
Produced by Jacob Kalich
Dances by Dan Dody
|
|
CAST |
|
The Rabbi of Glembock |
|
Boris Rosenthal |
The Rebitzin, his second wife |
|
Rose Greenfeld |
Raizele, his only daughter |
|
Molly Picon |
David |
|
Gershon Rubin |
Rivche, one of David's daughters |
|
Lucy Levin |
Bailche, one of David's daughters |
|
Frances Weintraub |
Sheindele |
|
Regina Prager |
Nuchem, her son |
|
Julius Nathanson |
Chune, a chusid |
|
Kalmen Juvelier |
Jonah, a chusid |
|
Herman Serotzky |
Louis, a prizefighter |
|
Irving Grossman |
Bertha, a widow |
|
Anna Nathanson |
Naftuly, a musician |
|
N. Brandwein |
Leah, a neighbor |
|
Rebecca Weintraub |
|
|
|
Place of action
Part 1: Raizele's
wedding in Europe.
Partg 2: Raizele's
business place in the U.S.
Time: The Present.
Molly Picon on a horse, in "Raizele," 1927.
Courtesy of the Center for Jewish History.
Synopsis of the Play
As told by Molly Picon
Our
play is unusual (we hope) because in other plays the
parents generally disapprove of the wedding, but in our
"unusual" play the parents are in favor of the wedding,
whereas the bride and groom are not. Why? Simply because
they don't know each other. this condition arises out of
the old Jewish custom that bride and groom must not see
each other until after the wedding.
Still,
through song and dance, etc., our heroine, Raizele,
meets our hero, Nuchem, and they fall in love; then,
were it not a Jewish play, the wedding bells would ring
out. Instead, the rabbi's violin lulls the bride and
groom into their first marital kiss with "Chusen Kale
Mazl Tov." That's the end of the first part of our
unusual play.
And here
begins the trouble along with the second part!
The scene
shifts from the little Galician town to a poor
all-in-one grocery, candy and soda-water store on the
lower East Side. It looks as if love has slowly crept
out of the broken window panes, for business is bad and
our poor Raizele and Nuchem are in Zures.
Day after
day they have seen "all America" rush to a store across
the way for the simple reason that that store belongs to
a widow. And it seems, to make a success in business in
America, one must be a widow. So Raizele decides to
become a widow and persuades her husband, Nuchem, the
pose as her brother. the deception works, wit the result
that over night, in true musical comedy style, the poor
dilapidated store is turned into a first-class
establishment and customers stand in line for a soda and
a look at the new widow, a self-confessed vamp who is
none other than Raizele. But Nuchem has also attracted
the attention of their erstwhile competitor, the real
window. And the widow's former sweetheart, Louie Satz,
has become an ardent suitor for Raizele's hand.
By this
time the author has gottn all the actors into as tight a
mix-up as two parts will warrant, and there remains
nothing for Raizele to do but to tell the truth (which
brings us back to the unusual value of our play) and
send us all home with a real Jewish "Hor Mir a Gute
Nacht." |
|
|
|