SENDER BLANK,
by Sholom Aleichem
“Sender Blank" was written by Sholem
Aleichem, and exists in two parts
and six scenes.
The dramatization and
direction was by Jacob Rothbaum,
with music by Sholom Secunda, and
settings by Alexander Chertov.
The
play
opened on 20 November 1940 at the
Yiddish Art Theatre, 2nd Avenue and
4th Street in New York City.
The scene
of action takes place in Berditchev,
Russia, in the year 1910.
This
season was the twenty-fifth in the
history of the Yiddish Art Theatre.
This
Yiddish Art Theatre production included the
following cast:
Maurice Schwartz, Lucy Gehrman, Muni Serebrov,
Leon Gold, Hannah Hollander, Luba Kadison,
Anatole Winogradoff, Anna Appel, Ben Zion
Shoenfeld, Mark Schweid, Celia Lipzin, Goldie
Lubritsky, Misha Gehrman, Judith Abarbanel,
Maurice Krohner, Misha Fishzon, Izidore Casher,
Abraham Teitelbaum, Lazar Freed, Solomon Krause,
William Secunda, Pauline Hoffman, Ben Zion Katz,
Liza Varon, Louis Heyman, Meyer Sherr, Morris
Bielavsky, Max Friedlander, Harold Kronsky,
Morris Steinberg and Bertha de Costa. |
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photo:
Maurice Schwartz.
From play program
of "Sender Blank", 1940. |
So, here is the
synopsis of Sholom Aleichem's "Sender Blank". The
name of the actor who portrayed the particular
role is in parentheses):
SYNOPSIS1
ACT ONE
Scene 1: Sender
Blank (Maurice Schwartz), the richest man in the
town of Berditchev, is a self-made man.
He is the son of a
poor baker, and he worked hard and suffered much
until he reached his present position -- "a
merchant of the first rank," a director of the
Commerce Bank, and the town's leading citizen.
He is a jolly good fellow, generous, very fond
of his food, loves his wife (his second wife)
Miriam (Lucy Gehrman), who is younger than
himself. Even more than his wife, does he love
her child, his youngest son Marcus (Muni
Serebrov). This infuriates his older children,
by his first wife, but they dare not show their
feelings for fear of losing their share of the
inheritance.
While Sender and
his wife are preparing to leave for Marienbad
the impoverished Reb Zhiamke (Misha Gehrman),
comes to ask for a loan. Sender has long been
nursing a grudge against this man. When Reb
Zhiamke was rich, he wouldn't even condescend to
return Sender's greeting, even though he is now
willing to give his consent to the marriage of
his daughter Lizotchka (Judith Abarbanel) to
Sender's beloved son Marcus. Now Sender gives
vent to his pent-up feelings. He works himself
up to such a pitch that he becomes violently
ill. Shortly before he had stopped at a
restaurant for a bite and the few orders of fish
and meat were still undigested in his stomach,
which becomes upset by the excitement. With
great difficulty, Sender is put to bed, moaning
all the while that he is about to die.
Scene 2: The house
is in an uproar over Sender's sickness. The town
doctor (Ben Zion Shoenfeld) is unable to
diagnose the ailment, and they call Professor
Klotz (Lazar Freed), a famous doctor who is more
interested in chess than in medicine. All of
Sender's children assemble. His daughter Reveka
(Luba Kadison) is here with her husband Ossip (Anatole
Winagradoff), a card-playing,
cabaret-frequenting Don Quixote, who is anxious
to expedite the drawing up of the will. When
Sender's older son objects to the fellow's
greed, his own wife Sonya (Hannah Hollander)
threatens him with a divorce unless he too takes
a hand in the matter. Townspeople,
representatives of all sorts of institutions,
come to visit the sick man, so that he may
remember the community in his will. Reb Kalmen (Izidore
Casher), the head of the Burial Society arrives
unable to conceal his joy over the fact that the
death of the rich man will pay enough to enable
the Society to bury the poor fellows for
nothing. All, including the servants, calculate
their shares of the inheritance, and wait
impatiently for Sender to breathe his last.
Scene 3: But
Sender does not care to die just yet. He moans
and he groans and calls for Professor Klotz
every tie his insides roll up under his heart.
His older sister comes in wailing as if he were
already dead. She promises to visit his grave
every year and asks him to interest the good
spirits in her behalf. Finally the famous
Professor Klotz arrives. After a brief
examination he announces that Sender is
suffering from a rare malady from which he must
surely die. Sender protests that all he ate was
three orders of fish and a half a goose. But the
doctor is adamant; Sender must die tonight, and
he better make out his will before it is too
late. Ossip immediately hands him pen and paper
at the sight of which Sender gets up with a
start yelling that he is not going to die. No
Sir! His father lived to be eighty-eight, his
grandfather died at the age of a
hundred-and-ten-- no sir, he is not going to die
at fifty-five. And why must he die? Because he
ate a couple of pieces of fish! He jumps out of
bed, starts pacing the room waving his hands,
shouting, "I must live! I must live!"
ACT TWO
Scene 1: Sender's
wife is having one fainting spell after another.
Each time she realizes the wonderful husband she
is about to lose, she faints. The children are
all tired out; no one slept a wink throughout
the night, but Sender did not die despite the
professor's diagnosis. But the good professor is
not discouraged. He assures all that this night
Sender will positively pass into the Great
Beyond. Ossip and Reveka are scheming to prevent
the stepmother and her son Marcus from getting
the biggest part of the estate. The other
children have plans of their own. They all start
quarreling and fighting over their shares of the
inheritance. The noise wakes Sender and he comes
into the room. Embarrassed and frightened, they
all leave save the youngest Marcus, who asks his
father's permission to marry Lizotchka.
Instead of going
back to bed as his wife asks him to do, Sender
orders that they bring him a bottle of wine and
honey cake. Since die he must, he may as well
enjoy his last moments on earth. His keen sense
for food detects the smell of roast duck. The
professor drops in and is very much perturbed at
finding the patient so much alive. Sender probes
the doctor as to the cause of his death: Is it
cancer? perhaps kidneys? or maybe the liver?
Yes, he always liked liver and ate a great deal
of it. The professor is impatient with him; it's
none of his business what causes him to die. All
Sender is asked to do is follow orders and die.
In a huff the professor leaves the room.
Left alone Sender
sadly takes leave of his house and furnishings
and sits down to write his will. As he does so
he sees his image in the mirror. For a while he
contemplates his full round cheeks, his
protruding paunch, then looks hungrily at the
roast duck and finally cries out: "God Almighty,
how can anyone with my appetite sit down to
write a will? Those people must be crazy, or
maybe I am."
Scene 2: A rumor
spread in town that Sender finally made out his
will and died. Hordes of people have descended
upon the house. Paupers, cripples, beggars as
well as the representatives of various
charities, have come in the expectation of
getting donations on the rich man's death. The
beadle of the synagogue demands his share for
being the first one to bring good news of
Sender's death to the town; the head of the
Burial Society demands twenty-thousand rubles or
else he'll refuse to bury him. There is great
commotion, everyone is pushing and yelling. The
people of the house try to quiet the crowd,
telling them that Sender hasn't died yet. But
the head of the Burial Society refuses to
listen. It's too late now. He ordered the grave
to be dug and one cannot put the diggers in such
a predicament. Ossip threatens to call the
police, and Professor Klotz sadly admits that
Sender has repeatedly disobeyed his orders.
Excitement runs high, until Sender appears on
the balcony. The crowd is horror-stricken.
Someone calls out that the dead has been
resurrected, but Sender assures them that the
time for his resurrection hasn't come yet. He is
not quite ready to leave this beautiful world
merely to oblige the town and his family.
Scene 3: The
family is celebrating Sender's recovery. The
impoverished Reb Zhiamka is here with his
daughter Lizotchka. Sender has given his consent
to the marriage of his son and Lizotchka. The
head of the Burial Society wants Sender to tell
them what the Angel of Death looks like, since
he was dead once. Yes, he died, Sender says, but
at that time a new Sender was born. This new
Sender will not live like the old one -- for
himself only. He will distribute his wealth
among the poor and the needy. His children
protest vehemently against such crazy notions. A
heated quarrel breaks out and Ossip slaps
Marcus' face. Sender orders all out of his house
safe his wife, his beloved son and his bride
Lizotchka and her father. He then asks Marcus to
sing and Lizotchka to play. He orders the
windows be opened, that the neighbors too may
enjoy the singing; and the doors be opened, that
the neighbors too may enjoy the singing; and the
doors be opened, that the poor may enter. Sender
is a new man with a warm heart for the suffering
of others and a fuller and happier life for
himself.
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Executive Staff
(For the YAT): William Roland, General Manager;
Nathan Parnes, House Manager; Menachem Edelheit,
Theatre Parties; William Mercur, Yiddish Press
Representative; James Proctor, English Press
Representative; Jay Williams, Ass't
Representative; Martin Schwartz and Ben Chasen,
Treasurers; Thelma Lippe, Lecturer. For Maurice
Schwartz: Milton Weintraub, Company Manager;
Matilda Neuman, Secretary; Sholom Secunda,
Musical Director; Ben Shoenfeld, Ass't Stage
Manager; Max Frielander, Librarian.
Technical Staff:
William Mensching, Carpenter; Joseph Lieberson,
Electrician; Louis Lieberson, Propertyman;
Samuel Lehrer, Wardrobe Master; Alexander
Chertov, Scenic Artist; Ben Zion Katz, Stage
Manager. Credits: Meth & Gropper, Costumes;
Zauder Bros., Wigs; Sigmund Gottlober,
Publisher, Programs, Gowns Executed by Suzanne
Frisch; Advertising, Walter H. Morin,
Advertising Guild, Inc. |