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19 |
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February 2, 1953
They build the "National Theatre."
-- Louis Minsky, the philanthropist. -- Osip Dymow is
brought to New York. -- His "Eternal Wanderer," "Slave of
the People," and "Bronx Express." -- Sholem Asch.
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20 |
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February 5, 1953
David Pinski -- His great success, "Yankl
der shmid." -- His "Oytser (Treasure)," is played by the
writer with Rudolph Schildkraut. -- Jacob P. Adler.
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21 |
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February 9, 1953
David Kessler. -- His simplicity,
his naturalness, in acting and in life. --Boris
Thomashefsky. -- His unnaturalness on the stage and in life.
-- A visit with him in the country. -- His dog Jack.
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22 |
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February 12, 1953
Leon Blank and Regina Prager. --
Blank brings warmth onto the stage. -- He warms the actors
and the public. -- The pious Regina Prager with her
wonderful voice. -- In the middle of a performance, one
learns about the Russian Revolution.
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23 |
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February 16, 1953
Czar Nicholas's priest Iliodor comes
to America. -- He brings Yiddish actors and reads a bad play
for them. -- Maurice Schwartz as a younger man. -- The
birth of the Yiddish Art Theatre.
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February 19, 1953
The name, "Yiddish Art Theatre," was
given by the people. -- Maurice Schwartz excels in Sholem
Aleichem's "Teyve the Dairyman." -- The large productions of
l.J. Singer's "Yoshe Kalb" and "Brothers Ashkenazi."
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25 |
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February 23, 1953
His own life story. -- He is born to
a furrier in Vilna. -- His father was a bit of a musician.
-- His mother also knew how to sing. -- For the new year he
was a soloist in the Vilna city synagogue. -- At the age of
sixteen he was a conductor for the great cantors. -- Israel
Zangwill paid for my music lessons.
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26 |
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February 26, 1953
The success of the operetta, "The
Broken Violin." -- The "Five Frankfurters" is turned into an
operetta with the name, "Di chazante." -- The operetta, "The
Rabbi's Melody," is born.
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March 2, 1953
Aaron Lebedeff. -- They say about
him that he did not enter but danced to America. -- Molly
Picon in Lodz. -- She excites the audience with her charm.
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28 |
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March 5, 1953
The great success of the "Dybbuk" in
Warsaw. -- A visit with Esther Rachel Kaminska. -- She is
different. -- She is a grandmother, talking about her
children and grandchildren, no longer the former glory.
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March 9, 1953
The Vilna Troupe in "Dybbuk." -- I
see the play twice. -- I know the play, and they play
unforgettably. -- Isidore Edelstein is also enthusiastic; He
wants to buy the rights for "Dybbuk," but Maurice Schwartz
already bought it.
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30 |
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March 12, 1953
Sara Adler. -- She speaks on the
stage like they speak in life. -- She is a great actress,
but they call her Adler's wife. -- Molly Picon plays mainly
in New York. -- Her great success in "Yankele."
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March 16, 1953
Yosl Edelstein. -- As such he
engages Paul Muni for his theatre. -- Samuel
Goldinburg. -- He is quickly recognized as a star.
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March 19, 1953
Menasha Skulnik. -- As he makes his
audition for the union.-- Nobody knows him. -- He excels in
the art plays. -- As he becomes a star. -- The difficulties
of advertising stars.
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March 23, 1953
Lucy Levin. -- How quickly she
becomes a star. -- We believe that her rapid success
shortened her years. -- How to "break in" an operetta. --
The author does not recognize the play and is ashamed to say
so.
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March 26, 1953
Samuel Rosenstein. -- The Apollo of
Yiddish theatre. -- A lonely life in old age. -- Why do you
need a conductor?
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March 30, 1953
Dramaturges, playwrights and fixers.
-- To fix a play is a skill. -- To write a play is an art.
-- The true dramaturges are deprived of theatre.
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36 |
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April 2, 1953
The three periods of Yiddish
theatre. -- The uphill period, the golden period, and the
downhill period.
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December 1, 1952
The beginning of the Yiddish Theatre. -- Weary
workers sing in abundance like free birds in the
woods. -- Boris Thomashefsky sings at work in a
cigar factory.
-- The first theatre troupe is brought over from
London and plays, "Di kishuf-makherin (The
Sorceress)," in a hall. -- German Jews want to
hinder the playing of Yiddish theatre.
-- Boris
Thomashefsky plays women's roles.
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2 |
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December 4, 1952
Boris Thomashefsky writes a play. -- Mogulesco comes
to New York. Jacob P. Adler is brought over from
London. -- Abraham Goldfaden comes to New York and
receives a cold welcome from the actors.
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3 |
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December 8, 1952
The competition between the Yiddish theatres. --
Joseph Lateiner and Professor Horowitz write plays,
taken from German. -- In the plays the heroes speak
deytshmerish. -- Actors who do not know any German
carry German newspapers in their pockets.
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December 11, 1952
The effect of Jacob Gordin. -- In his plays they
must speak Yiddish and not speak any of their own
prose. -- He receives sixty dollars for his first
play, but he receives five dollars a night for
playing the role of a pristav.
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5 |
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December 15, 1952
Jacob Gordin's plays compete with the operettas. --
Adler, Kessler and Thomashefsky play together, but
not for long. -- Keni Lipzin. -- The founding of the
Actors' Union -- Joseph Barondess.
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December 18, 1952
The principle explanation for the
Actors' Union. -- Max Gabel. The music halls.
-- William Shakespeare and Joseph Lateiner are played
in one day. --M. Katz and Leon Kobrin have written
plays.
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December 22, 1952
Z. Libin as a playwright, his humor. -- Shomer's
very successful play, "Emigrants." -- He had earned
only one-hundred dollars for himself. -- Mogulesko's
huge success in "Emigrants." -- Bessie Thomashefsky
plays Mogulesco's role when Mogulesco is ill.
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8 |
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December 25, 1952
My first days in America. -- The death of Sophie
Karp. -- The actor Finkel, and his wife Emma. -- My
visit with Shomer.
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December 29, 1952
My first meeting with Boris Thomashefsky. -- I speak
Russian with Jacob P. Adler. -- Sophie Tucker as a
waitress in a restaurant.
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10 |
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January 1, 1953
The two famous actresses Berta
Kalich and Keni Lipzin. -- Berta Kalich sings in a
chorus of the Lemberg Temple. -- Plays in Gimpel's
Theatre, and then in the Romanian National Theatre.
-- Jacob P. Adler discovers Keni Lipzin in a small,
Russian town.
-- She becomes famous in Gordin's plays.
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January 5, 1953
Professor Horowitz. -- His play, "Ben Hador," was
the greater success. -- He was one of the most
successful playwrights, but he became ill and lost
his memory with age and ended his life in poverty.
-- Broadway takes from the Yiddish theatre.
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January 8, 1953
Yiddish actors who play on the
English stage. -- Charles Cohan, Tornberg, Jacob P.
Adler, Bertha Kalich and David Kessler. The Kalich
is a great success, and David Kessler is a great
failure in English.
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January 12, 1953
Sholem Aleichem arrives in America. -- Theatre
managers race over to him. -- His lectures are
admired, but his plays fall through. -- Solotorefsky
saves theatres with his melodramas. -- They arrest
actors for playing on Sundays. -- Actors want to be
arrested in order to have their pictures in the
newspapers.
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14 |
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January 15, 1953
Anna Held, Ziegfeld's wife, who
Jacob P. Adler taught to play theatre. -- The great
comic, Sigmund Mogulesco, can't tell any jokes in
life. -- He used to laugh at Fishkind's jokes.
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15 |
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January 19, 1953
The new manager, Max R. Wilner. -- Esther Rachel
Kaminska. -- We build the Second Avenue Theatre. --
Theatre patriotten speak a lot about Maurice
Schwartz.
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16 |
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January 22, 1953
Boris Thomashefsky gives plays
adapted for the greenhorn. -- Bessie Thomashefsky
"starves" in the greenhorn plays. -- Thomashefsky
ends the policy and begins to give "pintele-yid"
plays. -- The great success of "Pintele yid."
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17 |
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January 26, 1953
The German Irving Place
Theatre, where they used to play the famous German
actors used to play. -- Rudolph Schildkraut plays in
the German theatre and becomes well-known as an
actor. -- Thomashefsky engages him for his Yiddish
theatre. -- He creates a furor in "Eikele mazik" by
Abraham Shomer.
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18 |
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January 29, 1953
Bessie Thomashefsky stands out in Dymow's "Shema
Yisrael (Hear, O Israel)."
-- Yushkevitch's "Kenig" was once played for Adler
in one theatre, and for Thomashefsky in a second
theatre. -- The success of Kornblit's "Chantshe in
America."
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