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Genfer's troupe, in
Russia as a young comic in the then-popular
historical plays. This brought him great success,
but a slight inner satisfaction.
As it went over to the
"Yiddish stage", he strove to art "and not having
any possibility to act seriously, durkhgetrakhte roles,
he always went around discontented. His striving for
the arts was felt first after the revolution in
Russia, where he had in 1917, at a conference of the
Yiddish actors in Kiev, happened upon Misha
Fiszon.".
In 1919, when the
Soviet "Jewish Art State Theatre" was founded in
Odessa with actor Bertanov as regisseur, F. created
an entrance examination to become, and six actors
had to act in the role of "Noakh" in Hirshbein's
"The Faraway Corner".
In 1920 he went over
to Romania and there, together with Misha Fiszon,
worked in the "Yiddish muster un kinstler" theatre,
where he performed as "Yoel Dovid" in Mark
Arnstein's "Voilner bel bisl", "Uriel" and Gutskov's
"Uriel Acosta", "Itsik" and Peretz Hirshbein's "Puste
kretshme", "Chanan" or "Mshulkh" in Sh. Anski's "Dybuk"
and "Khlestyakov" in Gogol's "Revizor", at the same
time he had however, while in distress, further
acting as a singing-lover or fat comic in the
operettas. In 1923-24 -- he had, with great success,
together with his brother Herman Fenigstein, Misha
Fiszon and Viera Zaslavska, guest-starred across
Galicia and Poland.
F. later arrived in
America, where he became engaged in Philadelphia.
As Misha Fiszon
recalls in his memoirs, they had, when he had made a
try (to be accepted into) for the Yiddish Actors
Union, restricted him, that he didn't have the
strength to endure the exam, and he thereof became
ill.
On 30 June 1925, F.
passed away in Philadelphia.
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"Yudishe bine",
Lemberg, N' 2, 1922.
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[--] --
"Literarishe bleter", Warsaw, 1' 65, 1925.
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Misha Fishzon
-- Hintern forhang fun idishen teater, "Tog", N.
Y., 20-21 January 1948; 25 February 1948.
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