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expanded region from
Russia to Siberia.
In 1918 he was the
co-founder of the first Yiddish state theatre in
Odessa, and during a contest he acted in the role of
"David Grossman" in Seymon Yuskhevitsh's "Der kenig
(The King)".
In 1920 he returned to
Poland and went on a tour across Galicia.
In 1921 he entered
into Warsaw's Central Theatre, where he became one
of the leaders, and here he directed "Fishke der
krumer (Fishke the Cripple)" by Mendele Mokher
Sfarim (dramatized by Jacob Waxman), "Yikhus" by
Sholem Asch, "Der shvartser flek (The Black Stain)"
by Kadelberg (L.'s translation), "Der gibor in keytn
(The Hero in Chains)" by Hugo, "Moshke khazir
(Moshke the Swine)" by Y.D. Berkovitsh, "Gvald ven
shtarbt er?" by Khone Gottesfeld, and Goldfaden's "Kishufmakherin
(The Witch)".
In 1926 he directed
the Lodz Skala Theatre.
In 1927 he
guest-starred in South Africa, and in 1928 he
directed with Kaminski's theatre in Warsaw, where he
staged on 6 June 1928 H. Leivick's "Hirsch Leckert".
In 1929-30 he
guest-starred with his own troupe across Romania.
In 1930 he directed
with Warsaw's Skala Theatre, where he staged in "Tsyankali"
by Fredreich Wolf ([Ib.] --Jacob Waxman), and in
1932 he staged with a troupe in Krakow, where he
directed in (with the opportunity for the Vispiansky
direction) Vispiansky's "Daniel" and "Rikhter".
L. also wrote a
reported play "Di tsen fun paviak", which he had
staged.
Sh. E.
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[--] -- Ver
zaynen undzere shoyshpiler? "Teater un kunst",
Lodz, 2, 1922.
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Reporter -- Di
trupe lipman, "Czernowitzer bleter", 55, 1930.
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